Eileen Duggan, 1937
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Eileen Duggan
(1894-1972)

The critics:

'... I'm prepared to go on record as affirming that Eileen Duggan is one of the great seminal influences both in our sense of nationhood and in our maturity.' Kevin Maher, SM ("Poet of 'the Calm Beyond'," NZ Listener, January 15, 1973)

'Too much of her work is marred by sentimentality, on the one hand, and a partiality for similes that are merely ornamental and for far-fetched conceits, on the other... And there is usually a triteness about the very movement of her verse within its tidy stanzas...' MacD. P. Jackson (Auckland: The Oxford History of New Zealand Literature in English, OUP, 1991)

'... we can be thankful for the uncompromising nature of Duggan's poetry... And she is worth reading ... (She) had great faith in herself as a poet, waiting these many years for readers...' Michele Leggott ("Lodestone at last", Listener, July 30, 1994)

More on Duggan's work can be found here
and here.


Poems

The Tides Run Up The Wairau
The Bushfeller
Tua Marina
Booty

Contrast
Shades of Maro of Toulouse

The Tides Run Up The Wairau

The tides run up the Wairau
That fights against their flow.
My heart and it together
Are running salt and snow.

For though I cannot love you,
Yet, heavy, deep, and far,
Your tide of love comes swinging,
Too swift for me to bar.

Some thought of you must linger,
A salt of pain in me,
For oh what running river
Can stand against the sea?

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The Bushfeller

Lord, mind your trees to-day!
My man is out there clearing.
God send the chips fly safe.
My heart is always fearing.

And let the axehead hold!
My dreams are all of felling.
He earns our bread far back.
And then there is no telling.

If he came home at nights,
We'd know, but it is only -
We might not even hear -
A man could lie there lonely.

God, let the trunks fall clear,
He did not choose his calling;
He's young and full of life -
A tree is heavy, falling.

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Tua Marina

Though all my heart is in this windy city
With its street corners and its masts and mills,
Often I wonder have any of its dwellers
Seen the rangiora on the southern hills.


Who here has seen upon the road to Para
Five tuis swinging on a bough at noon?
Who here has heard the wind among the raupo,
As I have heard it by the old lagoon?


Who here recalls how in the wet Septembers
Snows on Mount Arnaud sent the great floods down,
Or how the men with lanterns watched the Wairau,
Wading like otters in its waters brown?


Who here would know how by the small blind river
Each sighing tussock roofs a quiet lark,
Who here would care that in Brunetti's orchard
Blithe buds are horning through the bitter bark?


No one here knows, or knowing would remember,
Nor would I remember if they let me be,
For she is dead, with northern clods upon her,
Who, in our childhood, knew these things with me.

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Booty

Ah not as plains that spread into us slowly
But as that mountain flinging at the skies
And not as merchantmen which trundle in the offing
But as a privateer that boards a prize,
Let song come always at me and not to me
And, coming, let it plunder, burn, and flay,
For beauty like heaven by violence is taken
And the violent shall bear it away.

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Contrast

It was so cold the skyline seemed to splinter
As the ice in the puddles cracked beneath the camels.
The great statute that we know as winter,
Unsoftened yet by any Spring amendment,
Was full enforced - a sumptuary law,
Forbidding earth undue indulgence
In leaf and flower, in hip and haw.


The caravan swayed like a ship under canvas when its topsails belly in the wind,
And the Magi looked over the rolling dunes
As a sailor to shore in his mind.
Their light in the dusk was like a lantern at a mast-head,
Seen dipping, the bluer for the salt air, afar off;
And their thought was deep and slow and undulating
Like the rising and falling of a galley in the sea's trough -
All very leisurely as demand great distances -
And the star, as slow as reason, undulated too.


Ah but the shepherds on the hill above the grotto,
Like a bolt from the blue,
Hurtled headlong, helter-skelter, wild-foot, down the cragside,
As fast as instinct - no conjecture, no dismay!
They had not watched for years; they had not calculated;
But they knew the way.

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Shades of Maro of Toulouse

Where are the words that broke the heart with beauty?
This is the age of the merely clever.
As pate de foie gras
Demands the grossened geese,
You must pass satiety
Because without morbidity
There is no caste,
No cachet.
You have not lived.
Also, whether with or without,
Use erudition,
Shrug in tags in strange tongues,
And leer by ellipses.
To play it your way -
Ex pede Herculem,
But from your foot, oh seldom Apollo!
Or have it then,
Sus Minervam!


In one breath decry reason and avow it;
Demand it of others but claim to transcend it;
Refuse to return to a hope you have failed.
There is human respect in even apostasy,
And the metaphysical is above creeds!


Write of the poor but not for them.
The aim is altruism.
It enables savants to evade
Where charity would demand
Contacts.


There is somewhat which flatters,
Which sends the thumbs to the armpits
In this role of dialectical defender.


I speak not of those humble
Who grieve for a world awry
And own themselves frustrate
Save in random will:
Who hold reason is the mate of truth,
Not a bleak, rabid spider
That eats its espouser;
Who husk hate
And in beauty
Cry for the moon,
Not the paraselene
Of those afraid to talk in their sleep
Lest they be intelligible.


Oh, God, in these our days,
Our dreadful days,
Give us simplicity,
Give us passion,
To write not of
But to and for man!

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